A significant other to modern French Cinema provides a entire choice of unique essays addressing all elements of French cinema from 1990 to the current day.
• positive aspects unique contributions from most sensible movie students when it comes to all features of up to date French cinema
• contains new study on issues on the subject of the political economic climate of latest French cinema, advancements in cinema coverage, viewers attendance, and the kinds, development, and protection of theaters
• makes use of groundbreaking examine on cinema past the fiction movie and the cinema-theater corresponding to documentary, beginner, and electronic filmmaking
• comprises an surprisingly huge variety of methodological techniques and views, together with these of style, gender, auteur, undefined, fiscal, famous person, postcolonial and psychoanalytic studies
• comprises essays by means of vital French cinema students from France, the united states, and New Zealand, lots of whose paintings is the following offered in English for the 1st time
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Extra info for A Companion to Contemporary French Cinema
8 I would like to thank Michel Marie for drawing attention to this input from French production companies. 9 See, in particular, Jean-Michel Frodon, L’ Âge moderne du cinéma français: de la Nouvelle Vague à nos jours (Paris: Flammarion, 1995), René Prédal, Le Cinéma français des années 1990: une génération de transition (Paris: Armand Colin, 2008); René Prédal, Le Cinéma français depuis 2000: un renouvellement incessant (Paris: Armand Colin, 2008); and Tim Palmer, Brutal Intimacy: Analyzing Contemporary French Cinema (Middletown, CT: Wesleyan University Press, 2011).
More generally, an examination of the list of films that have attracted the largest audiences reveals a fairly large diversity in the genres represented: Astérix et Obélix: Mission Cléopâtre, 8 femmes / 8 Women, Le Peuple migrateur, Les Choristes / The Chorus, Taxi, Arthur et les Minimoys / Arthur and the Invisibles, La Môme / La Vie en Rose, for example. 26 Concentration and Diversity In terms of the cinematic diversity present on screens, France probably has an offering that is unequaled in the world, judging by the number of films as well as the extent of the palette from which one can choose.
One needs, in particular, to be aware of the dangers resulting from an insidious erosion of the French system, a benchmark model, the health of which depends, to a large extent, on the diversity of its theaters, which is, in turn, a precondition for a lasting diversity of works and their distribution. Experience during the past few decades has shown how quickly dangers can arise when laisser-faire principles come to be privileged, from acquiescing to a retreat from the ambitions of France’s cultural policy, and also from viewing public institutions as the sole representatives of collective interests.