A queer sort of materialism : recontextualizing American by David Savran PDF

By David Savran

In enticing, obtainable prose, prime theater critic and cultural commentator David Savran explores the intersections among paintings and tradition, providing shrewdpermanent, compelling interpretations of the industrial and social contexts of theatrical texts and practices. Acknowledging theater's marginal prestige in U.S. tradition, A Queer kind of Materialism takes on "the trouble-makers--the ghost, closeted gay, masochist, drag king, 3rd global laborer, even the white male as victim"--who determine extra prominently in theater than in different cultural varieties. In impeccably researched and argued essays that variety in material from Rodgers and Hammerstein to Paula Vogel, from all at once final summer time to Iron John, Savran uncovers the ways in which such troublemakers either problem and make stronger orthodox social practices.
The decisions provided listed here are by means of turns exciting, informative, refined, and polemical, reflecting the author's twin citizenship as rigorous student and interesting theater critic. This publication additionally presents a version for a type of queer ancient materialism that might end up priceless to a variety of disciplines, together with theater and function, gender and sexuality, queer/gay/lesbian/transgender reviews, American reports, and renowned culture.
David Savran is Professor of Theater, the Graduate middle, town collage of recent York, and writer of Cowboys, Communists, and Queers and Taking It Like a Man.

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Extra resources for A queer sort of materialism : recontextualizing American theater

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It might duced between and among text, actor, director, and spectat to dissident be said to be an effect of knowledge, or lack of it, in relation after sexual desires and identities. And it remains, some thirty years "! " For as Sedgwick emphas leave. self-identified lesbian or gay man can conclusively and definitively One is always in the process of coming out. The association of queerness with theater is by no means novel. As a number of historians have pointed out, theaters have long and notori­ ously been associated with queer bodies and pleasures.

25 Since the "spectator is absent " from that pe­ vestment that is qualitatively different from that demanded by his or her culiar mirror that constitutes the film screen, "it is always the other who cinematic (or televisual) counterpart.

And although the category "queer" clearly functioned (and continues to function) as a utopian fantasy, queer organizations and initiatives during th� 1990s were often dominated (much like the activist group . Queer Nation, whICh did so much to disseminate the new queer politics and culture) by the persons, agendas, and styles of white middle-class ) gay men. 2 Moreover, as Jill Dolan notes, "the insistent anti-hegemonic pose of'queer' can also be a ruse for not taking responsibility for the va­ .

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