By David Savran
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Extra resources for A queer sort of materialism : recontextualizing American theater
It might duced between and among text, actor, director, and spectat to dissident be said to be an effect of knowledge, or lack of it, in relation after sexual desires and identities. And it remains, some thirty years "! " For as Sedgwick emphas leave. self-identified lesbian or gay man can conclusively and definitively One is always in the process of coming out. The association of queerness with theater is by no means novel. As a number of historians have pointed out, theaters have long and notori ously been associated with queer bodies and pleasures.
25 Since the "spectator is absent " from that pe vestment that is qualitatively different from that demanded by his or her culiar mirror that constitutes the film screen, "it is always the other who cinematic (or televisual) counterpart.
And although the category "queer" clearly functioned (and continues to function) as a utopian fantasy, queer organizations and initiatives during th� 1990s were often dominated (much like the activist group . Queer Nation, whICh did so much to disseminate the new queer politics and culture) by the persons, agendas, and styles of white middle-class ) gay men. 2 Moreover, as Jill Dolan notes, "the insistent anti-hegemonic pose of'queer' can also be a ruse for not taking responsibility for the va .