By John Carlos Rowe
In occasions of liberal melancholy it is helping to have a person like John Carlos Rowe placed issues into standpoint, subsequently, with a set of essays that asks the query, “Must we throw out liberalism’s successes with the neoliberal bathwater?” Rowe first lays out a family tree of early twentieth-century modernists, reminiscent of Gertrude Stein, John Dos Passos, William Faulkner, and Ralph Ellison, with an eye fixed towards stressing their transnationally engaged liberalism and their efforts to introduce into the literary avant-garde the worries of politically marginalized teams, no matter if outlined by means of race, classification, or gender. the second one a part of the amount comprises essays at the works of Harper Lee, Thomas Berger, Louise Erdrich, and Philip Roth, emphasizing the continuity of efforts to symbolize family political and social issues. whereas serious of the more and more conservative tone of the neoliberalism of the earlier quarter-century, Rowe rescues the price of liberalism’s sympathetic and socially engaged reason, while he criticizes glossy liberalism’s lack of ability to paintings transnationally.
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Additional info for Afterlives of Modernism: Liberalism, Transnationalism, and Political Critique
F. W. Dupee, Henry James: His Life and Writings, 2nd ed. , 1956), pp. ” Dupee first published this book in 1951, one year after Trilling’s Liberal Imagination. See Wendy Graham, Henry James’s Thwarted Love (Palo Alto: Stanford University Press, 1999), pp. 177–206. On “aesthetic dissent” and “Emersonianism,” see John Carlos Rowe, At Emer son’s Tomb: The Politics of Classic American Literature (New York: Columbia University Press, 1997), pp. 1–3. Allan Bloom, The Closing of the American Mind (New York: Simon and Schuster, 1987).
S. S. culture. Often dismissed as “adolescent” or “popular” literature, To Kill a Mockingbird may well have been ignored because its racial politics are rooted in white liberalism. My interpretation links Lee’s racial politics with class issues, specifically her criticism of the impact of modern capitalism on Southern society, especially in the changing small towns Lee knew so well. By linking race and class, Lee actually goes far beyond the identity politics that would overtake subsequent debates within various ethnic studies.
As I say a noun is a name of a thing, and therefore slowly if you feel what is inside that thing you do not call it by the name by which it is known. ” 2 A traditional onomastic study of Gertrude Stein’s use of characters’ names would thus appear to be a quixotic project, based on an assumption about the symbolic significance of proper nouns antithetical to Stein’s avant-garde use of language and its special emphasis on verbal action and stylistic performance. Yet the significance of the name Melanctha offers one part of the solution to the intellectual puzzle concerning Stein’s literary representation of race, ethnicity, and sexual identity in Three Lives.