By Maurice Blanchot
"Another of Blanchot's almost-fictions ...throwing into deliciously baffling excessive reduction the enigmatic situation of a guy and lady by myself in a moderately offered resort room who try and keep in mind what has occurred to carry them there as they apprehensively anticipate no matter what will ensue subsequent. Their reserved confusion and quiet desperation finally galvanize upon them (and us) the belief that mind's eye (or, in case you will, writing) can create fact - and supply the paradoxical solace that turns out to leisure on the middle of Blanchot's writing: the feel that even language that expresses meaninglessness can not help yet include and, accordingly, show meaning." - Kirkus. "This completely first-class translation won't merely make Blanchot obtainable to many new readers yet also will motivate Blanchot students and scholars to re-evaluate every thing they inspiration they knew approximately L'Attente l'oubli...This publication might be required studying, period." - "Choice". "Awaiting Oblivion is considered one of [Blanchot's] crowning works ...a penetrating mirrored image upon human nature, language, and literature." - "Translation Review." "Blanchot is a terrifying writer." - "Review of up to date Fiction. "Maurice Blanchot has been for a part century one in every of France's prime authors of fiction and concept. of his so much formidable nonfiction works, "The area of Literature" and "The Writing of the Disaster", also are to be had from the college of Nebraska Press, as is "The such a lot High", his 3rd novel. John Gregg is the writer of "Maurice Blanchot and the Literature of Transgression".
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Extra resources for Awaiting Oblivion (French Modernist Library)
The text of Hunger thus figures and acts out both writing and reading as an absurd social mechanism of implication, where megalomania overtakes negotiation and vice versa, and where exclusion overtakes inclusion and vice versa. 52 The line about ‘rhetoric and literature’ was, in fact, added several years after the original edition appeared in 1890. We encounter, here, another configuration of the same problematic around writing and invention, relating to revision, translation and re-translation.
Nowhere else is this struggle more compellingly written than in the moments when the hero happens upon the non-existent Location and Dislocation in Hunger 33 words of ‘Ylajali’ and ‘Kuboaa’, each of which have left tiny marks or traces upon twentieth-century psychoanalysis and linguistics. The words appear separately in two different scenes already referred to in this chapter, involving the pursuit of two Kristiania ladies on a sunny day, and a dark night of traumatic stillness later in the book, when the hero is locked up in a prison.
In his portrait of the ‘radical aristocrat’, moreover, Randers equates ‘Hamsun’ with ‘Nagel’ by seamlessly weaving the provocations of the fictional character in ‘the small Norwegian coastal town’ of Mysteries, with the provocations of Hamsun as a polemicist on the Scandinavian literary scene. The two are not identical, but are nevertheless difficult to hold apart. Hamsun, for his part, did insist in a letter to his friend and colleague Erik Skram in 1892 that Mysteries was not ‘me wanting to astonish you with my opinions’.